Through metaphorical imagery, the authors
Sala and Booth portray a sinister version of London. Both show that hypocrisy
and aristocracy leave the poor to fend for themselves while the rich steal from
them. To show the situation in the back slums, Sala uses the metaphor of a maze
to portray, while Booth uses the metaphor of Africa. With the help of these
metaphors, both authors criticize the hierarchical order.
Both Sala and Booth start with a contrast
of London in order to criticize the aristocrats. Sala writes: “The trapezium of
streets enclosed within it’s boundary are not, by any means of an aristocratic
description” (Gaslight and Daylight with Some London Scenes they Shine Upon, pg 169). Thus through the diction such as ‘trapezium’ and ‘boundary, the
author gives the reader the image of a ‘trap’ and ‘suffocating place’. The
‘trapezium of streets’ also shows the isolation of the space. Sala also in
another sentence repeats the fact that ‘No lords or squires of high degree live
in this political Alstia’(Gaslight and Daylight with Some London Scenes they Shine Upon, pg 169). The sarcastic tone of the repetition shows the
annoyance of the author about the situation of the ‘back slums’. However,
compared to Booth the description that Sala gives is comparatively less
hyperbolic. Booth compares London to the ‘Darkest Africa’, which was described
by Mr. Stanley, to be a place where ‘the rays of the sun never penetrate’ (The Darkest England and The Way Out, pg 174). Through
a rhetorical question "the ivory raiders who brutally traffic in the
unfortunate denizens of the forest glades, what are they but the publicans who
flourish on the weakness of our poor?” (The Darkest England and The Way Out, pg 174) the comparison of ivory raiders and the
publicans conveys the intensity of the situation for the author.
The author shows people who have a very
distorted way of living to portray the lifestyles of the inhabitants in those
areas. Sala describes the lifestyle as a ‘a maze of sorry thoroughfares, a
second-rate butcher’s meat and vegetable market, two model lodging houses, a
dingy church, and some ‘brick barns’ of dissent are within the boundaries’(Gaslight and Daylight with Some London Scenes they Shine Upon, 169). The
metaphor of ‘the maze’ connects with the trap of the trapezium. The ‘second-
rate butcher’, the parenthesis, ‘two model dingy houses” illustrates the
second-hand lifestyle that the people in the slums can afford. The diction
tells the reader about the severity of the lifestyle in the slums. The
metaphors show the intricacy of the lifestyle. In the end of the essay Sala also
mentions ‘the grave dog… waiting for the door to be opened, as-in this region
of perpetual beer-fetching”(Gaslight and Daylight with Some London Scenes they Shine Upon, 169). The authors show a very depressed scene in: ‘The public-house doors are always on the
swing; the baker’s shop (they mostly sell seconds) are always full so are the
cook-shops, so are the coffee-shops: step into one, and you shall have a phase
of Patmos before you incontinent’. The author here portrays a very gloomy scene
where most people pour their sorrows into the alcohol they drink. Therefore the
author depicts the trapped lifestyle of the middle class.(Gaslight and Daylight with Some London Scenes they Shine Upon, 169)
Through the diction and imagery he uses,
Booth shows a greater severity. The
author writes ‘As in Africa, it is all trees, trees, trees with no other world
conceivable; so it is here-it is all vice and poverty and crime’(The Darkest England and The Way Out, pg 175), the trees
here are compared to the vice, poverty and crime. By comparing the ‘trees’ are
something that acts as a barrier for a man in the same way ‘poverty’ does the
same. Therefore this shows the reader is the extremity of the ‘trap’ in the
slums. The author compares the area to ‘the Workhouse as an intermediate
purgatory before the grave’(The Darkest England and The Way Out, pg 175). Again the hyperbole of the lifestyle of the people
in the slum amplifies the constant struggle of the workforce. Eventually the
author compares the slums to ‘Dante’s hell’(The Darkest England and The Way Out, pg 176). The amplification again helps
emphasize the severe conditions of the slums. ‘Often and often, when I have
seen the morass, tramples underfoot by beasts of prey in human shape that haunt
these regions, as if God were no longer in His world, but that in His stead
reigned a fiend merciless as Hell ruthless as the grave’(The Darkest England and The Way Out, pg 176). By involving ‘God’
and his criticizing His ‘incompetence’ the author expresses the helplessness of
the people that live in poverty. Thus Booth gives a harsher description than Sala
does. However, both make the same point on the lifestyle of the people: that the
second-hand, monotonous life of the people that are preyed on by the rich. Booth
makes his point clearly when he mentions ‘tangled of monotonous undergrowth’.
Sala makes his point by alcohol acting a trap and monotonous way of life in the
slums.
These descriptions of the city give the
reader the feel of the city. Both give vivid imagery to explain the lifestyle
in the slums. They also play with the reader’s senses. Sala mentions ‘sallow, cabbage
stalk and fried fish’(Gaslight and Daylight with Some London Scenes they Shine Upon, 170), which gives off a distinct stink in the area. On the
other hand Booth describes the smell as ‘foul and fetid’(The Darkest England and The Way Out, pg 176). Most writers portray
Victorian London as a depressed and very dark city where there is an obvious
divide between the middle-class, the lower class and the rich people.
Citations:
1. Booth,William . "The Darkest England and The Way Out". In The Strange Case of Dr.Jekyll and Mr. Hyde. Toronto, Ontario: Broadview Press, 2005
2. Sala, George. "Gaslight and Daylight with Some London Scenes they Shine Upon".In The Strange Case of Dr.Jekyll and Mr. Hyde. Toronto, Ontario: Broadview Press, 2005
Citations:
1.
2. Sala, George. "Gaslight and Daylight with Some London Scenes they Shine Upon".In The Strange Case of Dr.Jekyll and Mr. Hyde. Toronto, Ontario: Broadview Press, 2005